12 Bar Blues Chord Progression
The 12-bar blues is one of the most important forms a guitarist can learn. Three dominant seventh chords create a complete musical structure for rhythm playing, riffs and first solos.
Beginner guitar chord progressions with Roman numerals, automatic transposition, audio playback and matching Jamuzo grooves.
Try it in a jamThe 12-bar blues is one of the most important forms a guitarist can learn. Three dominant seventh chords create a complete musical structure for rhythm playing, riffs and first solos.
The ♭VII7–Imaj7 progression connects richer seventh and sixth chords through clear voice-leading. In C, it becomes A#7 and Cmaj7. Start with compact voicings and listen for common notes between each change.
The iv7–♭VII7–Imaj7 progression connects richer seventh and sixth chords through clear voice-leading. In C, it becomes Fm7, A#7 and Cmaj7. Start with compact voicings and listen for common notes between each change.
The I7–VI7–ii7–V7 form is a practical blues roadmap. In C, the chord sequence is C7, A7, Dm7 and G7. Hear the dominant movement, keep the pulse steady and use the built-in transposition control to…
The I5–IV5–I5–V5 pattern turns a small set of movable shapes into a complete rock section. In E, play E5, A5, E5 and B5. The power and suspended voicings keep the harmony direct and easy…
The I–V–vi–iii–IV–I–ii–V progression is a useful classical pop and ballads sequence. In C major, it becomes C, G, Am, Em, F, C, Dm and G. It is designed for quick transposition, clear chord practice…
The I–iii–vi–ii–V–I progression is a useful jazz, pop and standards sequence. In C major, it becomes C, Em, Am, Dm, G and C. It is designed for quick transposition, clear chord practice and immediate…
The I5–♭VII5–IV5–I5 pattern turns a small set of movable shapes into a complete rock section. In E, play E5, D5, A5 and E5. The power and suspended voicings keep the harmony direct and easy…
The I7–IV7–I7–V7 form is a practical blues roadmap. In E, the chord sequence is E7, A7, E7 and B7. Hear the dominant movement, keep the pulse steady and use the built-in transposition control to…
The I7–V7–IV7–IV7–I7–V7–I7–V7 form is a practical blues roadmap. In A, the chord sequence is A7, E7, D7, D7, A7, E7, A7 and E7. Hear the dominant movement, keep the pulse steady and use the…
The i–♭II–♭VI–V minor progression creates a clear dark centre without losing forward motion. In E minor, it becomes Em, F, B and B. Use the selector to transpose it and take the same relationship…
The i–♭II–i–V minor progression creates a clear dark centre without losing forward motion. In E minor, it becomes Em, F, Em and B. Use the selector to transpose it and take the same relationship…